By F. Braun McAsh
Lyria has asked me to provide some background on past roles on
the assumption that there was life prior to and post-Highlander. So here
is a brief rundown:
Film and Television:
Highlander
(four roles)
Highlander
IV: Endgame
Barnum
Cold
Iron
Continuity
Tecumseh
Hawkeye
Bordertown
Call
of the Wild
The
Commish
The
New Twilight Zone
The
Black Stallion
Heartsounds
V.
H. Adderly
The
Right of the People
Gorrillas
in the Mist
The
Verdict
The
Return of Perry Mason
Seeing
things
Amerika
Switching
Channels
War
of the Worlds
SCTV
Friday's
Curse
Secret
Lives
Divided
Loyalties
Arrggh...there are others, but I can't think of the names at the moment
- at some point, you stop listing everything in your resume and simply
name a few choice roles. I've also done commercials, although not
for over 10 years.
Stage
I've
done over 100 stage productions, including 53
Shakespeares. Obviously several of Big Bill the Bard's productions
are repeats, as the following selection will make clear:
Richard
III (3 productions)
Romeo
and Juliet (13 productions, including ground opera)
Titus
Andronicus (2 productions)
Julius
Caesar
Henry
IV(parts I and II)
Henry
V
Henry
VI (parts I, II and III)
King
Lear
Hamlet
Macbeth
All's
Well that Ends Well
Much
Ado About Nothing
A
Midsummernight's dream
Love's
Labour Lost
The
Winter's Tale
The
Merchant of Venice, etc, etc,
I've played Richard the III, Hamlet, Cassius, Mercutio, Edmund and
Choreographed many of the productions I was in. Although I didn't
perform all my Shakespeares there, I was a member of the acting company at
the Stratford Shakespeare Festival for four years, and began my
professional career as a fight director there in my last season I
also spent two seasons at the Shaw Festival. Other Plays:
The
Devils
Uncle
Vanya
The
Seagull
Marat/Sade
Juno
and the Paycock
The
Ruling Class
The
Three Musketeers
Dracula
Charly's
Aunt
A
view from the Bridge
My
Sister Eileen
The
Lark
You
Know I Can't Hear you when the Water's Running
The
Incredible Murder of Cardinal Tosca
Anna
Karenina
Le
Medcin Malgre Lui
Ondine
A
Man for All Seasons
Becket
Under
Milk Wood
The
Importance of Being Earnest
Rosenkrantz
and Guildenstern are Dead
The
Prime of Miss Jean Brodie
Cue
for Treason....
and so on, and so on...Heh - I've been at it for 23 years.
Fight Direction
I've
staged almost 80 episodes of Highlander (What a surprise! duh...) plus the
upcoming movie Endgame. I've also choreographed about 100 other
productions, stage, film and TV.
The
Three Musketeers
The
Prisoner of Zenda
The
Count of Monte Cristo
Rahsomon
Dreaming
and Duelling
Peter
Pan
Farther
West
plus,
as I mentioned, a lot of Shakespeare. I also choreographed films and TV
Shows prior to Highlander, I hadn't worked a lot in front of the cameras
as a choreographer for the simple reason that there wasn't much work in
the genre. Highlander was very much a seminal series in that
regard. I've also taught fight technique (and improv, script
analysis, and Shakespearean text) in over 30 theater Schools. I've also
choreographed for the Canadian Opera Company
Andrea
Chenier
Lady
MacBeth of Mtsensk
and
others; an entirely different realm of fight direction and very
challenging.
Background
I
went to theater school in Canada and at the Royal Academy in England. I
not only studied stage combat and fencing, but was a competitive fencer.
Later at Stratford, I apprenticed to the famous fight master Paddy Crean
for four years. I began to travel to Europe and England in 1980, to
study with the English fight directors such as Bill Hobbs and to do
studies of arms and armour and period texts in museums and castles. I've
spent almost 20 years doing research into my art and took advantage of the
four years of Highlander's Paris sojourn to pillage the Sorbonne, LEs
Invidides, etc...even in Romania I was sniffing our steel. I've also
studied in Germany, Austria, Bavaria, Italy, Hungary and of course, the US
in may fine museums; don't neglect them.
I've
also had occasion to act as a consultant for film and TV on the subject of
arms and armour, military uniforms, medals, heraldry, and related
subjects. I even acted as the cast drill instructor when I did the lead in
Sergeant Musgrave's Dance. I have had a reasonably extensive
military background, having been an NCO in combat infantry, the airborne
and Long Range Patrols and an Officer in armoured recon and military
intelligence.
Eastern Martial Arts was also a large part of Highlander, and I have
choreographed a fair bit for unarmed combat. Over the years I've
studied Tae Kwon Do, Hwa Rang Do, Judo, Jujitsu, Shotokan, Gojo Ryu, Hung
Gar and Choy Li Fut kung fu, Balintawak Arnis, Aikido, Iaido, and others..
Writing
A while back, I wrote a semi - regular column for
a Vancouver newspaper - social and political humour and satire, which ran
under the byline Gonzo. I've written for several national papers,
plus several magazines, including Blade, Military History, American
Dramatics, Canadian Stage, and National Lampoon. Apart from my
contribution to An Evening at Joe's (where I stand with pretty hefty
competition, writing - wise - some of the stuff is really topdrawer) I'm
still plugging away at my book on stage and film combat and historical
weapons, and I am developing a full-sized novel based on the historical
Dracula for Warner - Aspect books. (This is a non-Highlander work, but
like Death Shall Have No Dominion, my Highlander novella, it takes real
history and apocrypha and fills in the grey areas.)
I've also begun to film my series of
instructional videos, THE PRACTICE OF ARMS, the first of which is
"Beginner's Sword Work for Stage and Film"
Awards
The
Sir Tyrone Guthrie Award
The
Stratford Theater Award
The
Theatre Ontario Award
The
Ontario Arts Council Award
Canada
Council for the Arts Research Grant
The
Queen's Silver Jubilee Medal (1977)
I am a member of the Canadian Actor's
Equity, the Union of B.C. Performers, ACTRA, the Society of Canadian Fight
Directors (which I co-founded in 1981) and am a Maitre En Faite D'Armes
I've also worked in politics, so my favorite
colour is plaid....